Jimmy Watt

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His work methodology focuses mainly on the capture, extraction, editing and storage of audio samples from different sources: records on the street, dialogues extracts, audiovisual edits and converts of radio signals, uses a shortwave radio to capture foreign broadcasts, uses EVP, 911 calls.

Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.

His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue.

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.

His creative concepts pursues mysticism, the occult, time, religions, the process that leads to contemplation, the silence, the pause, the suspension, death and upstarts.



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